Alison Vardy   Solo Celtic Harpist  
         
 
 
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"a CD of solo harp music
that resonates in the heart"
 


Harping On
The First Disc

Harping On has 13 tracks including 5 of Canadian professional harpist Alison Vardy's own rhythmic compositions, South American melodies, Celtic medleys, spirituals and much more. This CD provides a wide variety of tempo and rhythms which are refreshing in their diversity and highlight Alison's superb musical arrangements. The music speaks for itself.

If you are looking for a CD that you can play while being "creative" in your home, studio or work then this is it. Unlike CDs that you play once and put away to never to play again, Harping On is the CD that slips in and out of your awarness as you are busy at your craft,. It never fatigues! This CD was recorded with a vintage tube microphone that took all the edginess out of the recording process leaving a CD that does not sonically irritate and which you can play forever! One customer said "I have never bought a CD and played it four times in a row on the first try!"

Close your eyes and you are sitting alongside the harp enjoying your own private concert. Open your eyes and you are happily in this world!




  I've selected my
favourite pieces of
music and ones which
demonstrate the diverse
repertoire of the harp.
Hence, there is a very
wide range of styles
and tempos to enjoy
for all occasions.


Alison Vardy




The majority of the tracks on Harping On were recorded using a 36 string all nylon strung Paraguayan harp designed by Australian luthier, Andy Rigby, to Alison's specification and which she later built at his workshop in Newstead, Victoria. The remaining tracks are on a Celtic lever harp crafted by Kim Webby of Whangarai, New Zealand.

This CD was recorded live by Fish Street Studio, Dunedin, New Zealand in the natural reverberation of an acoustically "live" room in a 100 year old heritage villa. Recording quality is excellent as all tracks were recorded directly to digital using some of the best vintage Neumann tube and condenser microphones currently available.

(13 tracks - 58 minutes of playing time - released in October 1997).

 

 

About the music….
Harping On
Celtic and Latin Harp 



1) Sunday Syncopations
       Alison Vardy (3:30)                                          
        Stitched together one rainy winter Sunday
        when a little off-beat rhythm was essential.
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2) Carolan's Welcome / Drummond Castle 
       Traditional: Ireland / Scotland (4:11)
        The first tune, composed by Ireland's best known
        harper Turlough O'Carolan (1670 - 1738), is one of
        about 200 melodies recovered from near obscurity.
        The second is a Scottish tune I learned from friends
        in Dunedin, New Zealand.

3) Yet Another Medley 
       Traditional: Ireland / Wales / England (4:23)
        She Walked Through the Fair, followed by Hoffed
        Meistres Wishart (Beloved Master Richard), The
        Great Silkie and ending with a "Trad: Vardy".

4) Autumn / Wind-up Toy
       Alison Vardy (5:49)
        My first composition and one I still enjoy playing
        on the Celtic harp.

5) 10 de Octubre / Che Valle mi Yaguaron
       Traditional: Paraguay (5:23)
        Two traditional Galopas from Paraguay. The
        Galaopa is a syncopated waltz with the right
        hand playing a 6/8 time signature while the
        left hand plays 3/4 time (like patting your head
        and rubbing your belly at the same time).


 6) Diddanwhch Gruffudd ap Cynan 
        Traditional: Wales (2:47)
        Griffith's Entertainment for Cynan's Son. A
        hauntingly beautiful tune I stole from the tape
        of a Welsh group, "Aberjaber".


7) Princess Royale / Roxburgh Castle
       Traditional: Ireland / Scotland (4:07)
        The first tune was sent to me by Dorothea Franchii,
        once the New Zealand Symphony Orchestra harpist
        and a kind assistant to me getting started on the
        Celtic harp. The second is arranged by Anne
        McDearmid of Scotland.
8) Dunedin Habanera / Cumbia Deliciosa 
       Alison Vardy / Alfredo Rolando Ortiz (6:19)
        A Caribbean rhythm for less-than-tropical Dunedin
        NZ, followed by a Cumbia, a musical genre from
        Columbia.

9) Swing Low Sweet Chariot / Rich Man 
       Arthur Warrell / Unknown, U.S.A. (3:28)
        Two spirituals from the days of slavery in the US.

10) Variations on a Mode
          Alison Vardy (3:09)
         Dorian and mixolydian themes taking turns in
         a range of dynamics.

.
11) El Rio
          Alfredo Rolando Ortiz (4:20)
         A Tonada (musical genre from Venezuela) with
         my own arrangements weaving the melody.

12) Dalby Aire / Grandfather Clock
          Trad: Isle of Man / Unknown U.S.A. (3:44)
         A favourite of mine for the transitions from minor to
         major and back again. Followed by a piece I used to
         play on the piano as a child, my father accompanying
         on the violin.

13) Ecuador / Beneath Wings
        
Alfredo Rolando Ortiz / Bette Midler (7:10)
         Alfredo is one of the most recorded Paraguayan
         harpists and he's not even Paraguayan! Born
         Cuban, raised in Columbia and Venezuela and
         now living in Los Angelos, he is a renowned
         performer, composer and teacher on the
         Paraguayan harp. Ecuador is a Pasillo, a
         traditional musical genre from Columbia.
         Beneath Wings provides a quiet contrast
         in this duo.

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USD$12.00
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"Harping On"
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Monday Magazine Review
Alison Vardy
Harping On

Celtic harpist Alison Vardy came to Victoria by way of New Zealand. Her album Harping On portrays the delicate side of Celticharp music and explores other types of folk material as interpreted on the Celtic and Paraguayan harp. These tunes are simple and haunting, and the unaccompanied harp has a melodic purity and a sweet resonance that evoke an aura all of its own. The Paraguayan harp has more modal minor capabilities than the Celtic, giving it a little more melodic flexibility as well. It's a highly romantic instrument, full of sonic tenderness.

Vardy exploits both harps capabilities well, moving from contemporary tonality to medieval modes and back. Her original arrangements even cross over into the black spiritual and pop genres.

Overall, Harping On is a rhapsodic journey …….sound in continuous motion

Melaney Black
Monday Magazine

 



For an Online Review of Harping On visit
Rambles Online



 

 

 
   
 
 
 
 
       
 
 
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