Alison Vardy   Solo Celtic Harpist  
         
 
 
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"vibrant, evocative solo harp music
celebrating Canada’s West Coast"
 


Island Suite
The Latest Disc

Alison Vardy became “harp-struck” in 1984 with the acquisition of her first Celtic harp while living in the South Island of New Zealand. She now performs, teaches and records as a full-time professional harpist from her home on Vancouver Island, British Columbia, Canada. Alison is inspired by the rhythmic and melodic diversity of music from many cultures to create original compositions and arrangements that showcase her beloved instruments. Her concerts and her recordings are a colourful tapestry of sound and mood that is both exciting and relaxing. Enjoy!


Island Suite is unusual in that the audible sound seems to come from within! Sit in a natural triangle with your two stereo speakers, close your eyes and the harp sounds like it is inside your head. Amazing! It is almost a meditation. Wander around your home with Alison's lively natural sounding Celtic harp music floating in the background or come back and sit down to your very own personal concert, literally.

This solo CD features two harps - Alison's Sandpiper Celtic harp and her Paraguayan harp. The tunes include a mixture of Canadian, Quebecois, Celtic, Ladino (Judeo-Spanish), and World Ethnic music plus eight of Alison's own original compositions.




Island Suite - Alison Vardy's Celtic Harp CD

 


This is music that captures
my heart and will captivate
you! Most of the solo harp arrangements and many of
the compositions are mine,
with their roots strong in
tradition. Waltzes, marches,
dances and airs from the Celtic, Sephardic, Balkan, French
and African cultures. Enjoy!

Alison Vardy





Island Suite was recorded in the natural reverberation of an acoustically "live" space with Hugh McMillan Studios in Victoria, BC, Canada. The recording quality of Island Suite is exceptional as all the tracks were recorded live using top quality professional microphones directly to 24/48 digital with tube preamps for additional "warmth". Cover art by Chris Broadbent of Victoria BC

(18 tracks - 74 minutes playing time - Released July 2003 )

 

 

Introducing...
Island Suite
A Solo Harp Odyssey


1) E & N Boogie
       ALISON VARDY (3:27) P                                          
        All aboard! The E&N Railway was once the
        transportation and freight lifeline of Vancouver
        Island, BC, and had almost gone the way of the
        dodo at the time I wrote this tribute. Supported
        by avid communities up and down its length, it
        now has a bright future for scenic recreational
        and commuter travel.

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2) Island Suite  
       ALISON VARDY (4:04) C
        The four musical themes in this composition visit
        the four southern Gulf Islands of Mayne, Pender,
        Saturna and Galiano off Canada’s West Coast.

3) Avre tu Puerta Serada / Adio Querida  
       TRAD. LADINO (4:15) C
        Open your closed door and Farewell Beloved, two
        beautiful love songs written in Ladino, the language
        of the Sephardic Jews (Judeo-Spanish).

.
4) Pula
       ALISON VARDY (3:29) P
        Means Money or Rain in Setswana, one of the official
        languages of Botswana. Thanks to one of my Vancouver
        Island audience members for naming this piece for me.


5) Cape Breton Set
       TRAD. CAPE BRETON (4:56) C
        I learned this set of lively tunes from the recordings
       of Nova Scotia born traditional flute player, Chris
       Norman. Transcribed for harp with addition of
       soundboard percussion!
       I Won’t Do the Work / 100 Pipers / Road to Skye


 6) From the Shadows  
        ALISON VARDY (6:47) C
        The four themes of this composition move through the
        emotions of sombre to celebratory, as the key moves
        from C minor to C major.


7) Peter’s Peerie Boat / Willafjord
     
TOM ANDERSON / TRAD. SHETLAND ISLANDS (4:01) P
         Tom Anderson is a renowned fiddler from the Shetland
         Islands but I learned these tunes from a couple of New
         Zealanders, both of them avid members of the Gaelic
         Society in Dunedin.

8) Bonnie at Morn / The Trees They do Grow High  
       TRAD. ENGLAND (3:17) C
        Two contemplative broadside ballads from early England.
9) Sto mi e Milo / Kalimera  
       TRAD. MACEDONIA / GREECE (4:55) C
        A traditional village song followed by Good Morning! in
        Greece. Both of these pieces are in 7/8 rhythm.

10) Hornby Hornpipe / Off to California
          ALISON VARDY / TRAD. IRELAND (3:05) P
         I love alliteration and Hornby Island in the Georgia Strait
         between Vancouver Island and the British Columbia
         Mainland is a favourite place of mine. Off to California is
         an Irish hornpipe and a popular choice at Celtic sessions
         and gatherings.

.
11) Si La Mar
          TRAD. LADINO (3:59) C
         All about fishermen, young love and betrayal and delivered
         to you in 5/8 rhythm with lots of modulations! Arranged for
         solo harp from an adaptation by Moshe Denburg.

12) O’Carolan Set
          TRAD. IRELAND (3:30) P
         A medley of three tunes from 17th Century Ireland’s
         greatest bard, Turlough O’Carolan:
         George Brabazon / Bridget Cruise (#2) / Carolan’s Cap

13) Mildred’s Habanera
          M. PLANT , ARR. ALISON VARDY (4:09) C
            
Mildred is a student of mine with a passion for Latin
          rhythms and a good ear for a melody.


14) Quebecois Set
          TRAD. QUEBEC (5:16) C
         The Isles de Madeleine lie in the Gulf of St. Lawrence and
         are part of the province of Quebec. The two marches
         that follow are originally associated with the playing
         of legendary Quebecois accordionist, Alfred Montmarquette
         (1871 - 1944).
         Isle de Madeleine / Marche des Ouvriers / Marche Cecilia


15) Kay’s Waltz / Malaika
          ALISON VARDY / TRAD. W. AFRICA (4:06) P
         A waltz for my mother followed by a Swahili love song
         about a young man who yearns for his bride, Malaika.

16) Mazurka Limousin / Bouree
          TRAD. FRANCE (3:05) C
         These two pieces come from the central Auvergne and
         Bourbonnais regions of France where there is a rich
         tradition of bagpipe and hurdy-gurdy music.
17) Changing Tides
          ALISON VARDY (4:32) C
         Using the full range of the harp this piece ebbs and flows
         with mood and intensity.

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18) Breezy Day
          ALISON VARDY (2:46) C
         We get a lot of breezy days on this coast …. hold onto
         your hat!




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A Review from Rambles Online

With deft and magical fingers, Vancouver Island, Canada, native Alison Vardy conjures the sounds of Canada's Western Shores and more in Island Suite. This well-paced compilation of 18 well-positioned harp songs features original compositions by Vardy, as well as arrangements of traditional pieces and rhythmic adaptations.

During this whimsical musical journey, Vardy visits and pays tribute to Vancouver's resurrected E&N Railway; the four southern gulf islands of Mayne, Pender, Saturna and Galiano; Horby Island; and Cape Breton with light, tender melodies. Then it's onward and eastward where Vardy captures multi-cultural essences from Africa, England, France, Greece, Ireland, New Zealand, Scotland and other exotic locales in flavorful listening feasts.

Alison Vardy's masterful strokes on Celtic and Paraguayan harps provide the listener with more than 70 minutes of spirited relaxation and refreshment -- music by which you can rejuvenate, soak in the tub or lull yourself to sleep. It's a wonderful alternative (or accompaniment) to massage therapy! Vardy performs live at concerts and conducts workshops in British Columbia, but for those who are not Canadian nationals, you don't have to go that far to hear these soothing sounds -- just pick them up on any of her three therapeutic disks, also including Harping On and Apasionada.

Rambles Online
written by Lynne Remick
published 6 December 2003



 

 

 
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